Wednesday, November 29, 2017

Music Log


I feel like I’ve been waiting for this for years, Young Thug and Future two of this decade's biggest and most influential rappers have been rumored to be dropping a project and have been serving plenty of IG snippets and cryptic tweets flaming those rumors for the past few months. The flows here are diverse and creative which is par for the course with these two, Thug especially shows off some vocal chops here in songs like Killed Before and Real Love. The flows here are great and it certainly has more than enough quotable lyrics (“different color diamonds I’m a peacock”), the tape can feel quite stale when listening front to back. I feel this is more to blame on production, rather than on Thug and Future themselves. I think it’s time we get some new producers working with either of the duo, so we can see what they can really do. 3/5


I don’t know what to think of Lil Pump, I never really cared for the proverbial “real hip hop” circle jerk but I’ll be damned if I don’t find Pump’s music mindless. It’s simple, repetitive, and there’s really not much to it. No unique flows, wordplay, or even anything particularly interesting, yet I still find it impossible not to get hype to. The album works best as a shuffle playlist then as a whole project and sometimes that’s just what you need some quality mindlessness to escape reality, or maybe even confront it. Pump might not be around for long, regardless for now I enjoy the mindlessness. *eskeetit*/5

There would be no Lil Pump if it weren’t for Smokepurrp, Florida based rapper/producer and Pump’s bff. One can expect the same type of mindlessness found in “Lil Pump” to be found in Deadstar and one wouldn’t be wrong. Yet there is something that makes Smokepurrp and Deadstar seem way ahead of his peers. Purpp has an excellent ear for production, the beats here bang(BANG!) not only that but Purpp can craft some very catchy melodies and flows to go with these beats. Smokepurpp is definitely one of the more talented young rappers to come out of the Soundcloud scene and I look forward to seeing drop hits in the near future. I’ve heard the cries of Purpp being a blatant biter, I don’t disagree many of his flows sound similar to his others. I really don’t care of his similar sounding styles biting has been prevalent in hip hop since its beginning whether fans want to accept it or not, regardless I want to see what Smokepurpp does next. 4/5

2017 has brought a plethora of rappers dropping love themed projects, we’ve had projects from Future, Young Thug, Chief Keef, and now Thouxanbanfauni. Thouxan, one of my favorite SoundCloud rappers, is one of the more technically skilled up and comers yet can also drop catchy melodies without making it feel forced or contrived. The Ex Files is where Thouxan showcases this, keeping the theme focused on past exes and failed relationships yet not veering too far into that territory as not to lose the essence of his core sound. 4/5


2017 seems to be the year of self-titled releases and collab projects, this time it being 21 Savage, Offset, and producer Metro Booming over 10 tracks. 21 is back with his sleepy-murder flow paired with the deep haunting productions of Metro Booming, much like last year’s excellent Savage Mode, but this time with special guest Offset. Keeping this tape at 10 tracks was an excellent decision, considering the production style makes the tracks blend into the next. This is what I would call a working man’s trap tape, there is really nothing to criticize yet there is nothing really fresh or intriguing about it. 3/5



Trippie Redd has been one of the more impressive new artist this year, his earlier 2017 tape “Love Letter to you” is one of my favorites this year. It is easy to assume that I’ve been very hyped for this project to bring me new Trippie bangers. Love Letter to you 2 doesn’t fail to deliver quality bangers, showcasing Trippie’s catchy melodies in songs like “Bustdown” and “Today”. This time around though there are a few tracks which have a more pop sound (Deadman’s Wonderland, Back of My Mind) which aren’t bad, they just aren’t my favorite tracks. While LLty1 had basically no skippable tracks for me, I find myself skipping more than 1 song on this project. 3.5/5

Thursday, November 2, 2017

Music Log



Much has been said about rapper Trippie Redd’s similarities to Lil Uzi Vert in sound, not for lack of reason my first time listening to “Love Letter to You” left me repeating said claims of “Uzi clone” when mentioning Trippie Redd. That said there is a lot more to this tape than one would think after first listen. Trippie is definitely talented, throughout the project he displays a great sense of melody and clearly has a talent for coming up with weird yet enticing yelps and screams. Melodies aren’t his only strength, showing versatility with songs like Can You Rap Like Me where Trippie drops bar after bar of that “lyrical content” so many rap fans claim is missing in today’s rap. This is a pretty good project with greats songs and some diversity, I am very interested in seeing what Trippie Redd will do next. 4/5


Not much is known about rapper/producer wintertime, his social media presence is nearly nonexistent. Wintertime’s small internet buzz comes from a few collaborations with self-proclaimed “king of the teens” Lil Yachty, and a twitter discussion with buzzing “ignorant rap” sensations Smokepurpp and Lil Pump over claims of fraudulent biting. Nonetheless Wintertime still is pretty unique yet still fits comfortably in todays “weirdo rappers” (No Troy Ave) environment. There is clearly a great use of melodies here and Wintertime’s rapping style while not technically proficient comes off as simple yet entertaining and catchy, I can already here the word “mumble rapper” stamped into his name if he ever blows up. Also, there are tons of NBA references throughout the project which is something I always need more of in rap. 4/5

Tay- K has been the subject of the rap twitters for a while now with the hit song “The Race”, much of the buzz comes not from the song but from the story attached to it. I don’t care much to go into retelling that story, neither delving into any of the Free TayK talk or the severity of the crimes he’s accused of. Everything that needs to be said has probably been said by now, and frankly all I care about is the music. That said there’s not much to this tape, nothing about it stands out, the beats aren’t anything groundbreaking and Tay-k’s rapping skills don’t really bring anything new or interesting to the table. His buzz currently is growing and I can imagine this tape was rushed to capitalize on said buzz, time will tell if he can actually prepare a solid concise project which can rightfully showcase whether he is good or not. There are maybe 2 or 3 bangers here that’s about it. 3/5


Youngboy’s come-up seems to have happened so fast and it’s a testament to how hard the young rapper works. I’ve lost count as to how many projects he’s released since my initial introduction to him on 38 baby. New Orleans has a long history of great rappers with a long rap sheet, Youngboy is no different. One can only hope these legal problems are mere accusations and don’t deter another promising young rapper career (especially one from the NOLA, RIP BTY Youngn). This tape is great, Youngboy while handling his own as a rapper can also deliver some catchy hooks, and present some pretty emotional tracks which can be surprising coming from a 17-year-old. He shows a lot of promise and his work ethic is unmatched even by today’s standards, I have very little doubt by the time I post this he would have already dropped another project. 3/5


2016 was an interesting and prolific year for Uzi Vert, he became a big name after dropping 4 projects (Luv is Rage 1 dropped in 2015 but its impact was mostly felt throughout 2016) all containing quality bangers. Uzi’s wave coming into 2017 was overwhelming, his mega hit XO Tour Life dominated streaming services like Spotify and Apple Music. Yet unlike his 2016 year, 2017 was not a very prolific year. I’ve been anxiously waiting for this project yet in all honestly the hype was all for nothing, this is not a bad album, its Uzi being Uzi which is what you would want from an Uzi project. Yet nothing here really grabs your attention for long the production is pretty good, yet it never really feels like Uzi is doing anything great with it. The bottom point is not one song comes to being as catchy and undeniable as his other hits like XO Tour Life or You Was Right. 3/5