Wednesday, November 29, 2017

Music Log


I feel like I’ve been waiting for this for years, Young Thug and Future two of this decade's biggest and most influential rappers have been rumored to be dropping a project and have been serving plenty of IG snippets and cryptic tweets flaming those rumors for the past few months. The flows here are diverse and creative which is par for the course with these two, Thug especially shows off some vocal chops here in songs like Killed Before and Real Love. The flows here are great and it certainly has more than enough quotable lyrics (“different color diamonds I’m a peacock”), the tape can feel quite stale when listening front to back. I feel this is more to blame on production, rather than on Thug and Future themselves. I think it’s time we get some new producers working with either of the duo, so we can see what they can really do. 3/5


I don’t know what to think of Lil Pump, I never really cared for the proverbial “real hip hop” circle jerk but I’ll be damned if I don’t find Pump’s music mindless. It’s simple, repetitive, and there’s really not much to it. No unique flows, wordplay, or even anything particularly interesting, yet I still find it impossible not to get hype to. The album works best as a shuffle playlist then as a whole project and sometimes that’s just what you need some quality mindlessness to escape reality, or maybe even confront it. Pump might not be around for long, regardless for now I enjoy the mindlessness. *eskeetit*/5

There would be no Lil Pump if it weren’t for Smokepurrp, Florida based rapper/producer and Pump’s bff. One can expect the same type of mindlessness found in “Lil Pump” to be found in Deadstar and one wouldn’t be wrong. Yet there is something that makes Smokepurrp and Deadstar seem way ahead of his peers. Purpp has an excellent ear for production, the beats here bang(BANG!) not only that but Purpp can craft some very catchy melodies and flows to go with these beats. Smokepurpp is definitely one of the more talented young rappers to come out of the Soundcloud scene and I look forward to seeing drop hits in the near future. I’ve heard the cries of Purpp being a blatant biter, I don’t disagree many of his flows sound similar to his others. I really don’t care of his similar sounding styles biting has been prevalent in hip hop since its beginning whether fans want to accept it or not, regardless I want to see what Smokepurpp does next. 4/5

2017 has brought a plethora of rappers dropping love themed projects, we’ve had projects from Future, Young Thug, Chief Keef, and now Thouxanbanfauni. Thouxan, one of my favorite SoundCloud rappers, is one of the more technically skilled up and comers yet can also drop catchy melodies without making it feel forced or contrived. The Ex Files is where Thouxan showcases this, keeping the theme focused on past exes and failed relationships yet not veering too far into that territory as not to lose the essence of his core sound. 4/5


2017 seems to be the year of self-titled releases and collab projects, this time it being 21 Savage, Offset, and producer Metro Booming over 10 tracks. 21 is back with his sleepy-murder flow paired with the deep haunting productions of Metro Booming, much like last year’s excellent Savage Mode, but this time with special guest Offset. Keeping this tape at 10 tracks was an excellent decision, considering the production style makes the tracks blend into the next. This is what I would call a working man’s trap tape, there is really nothing to criticize yet there is nothing really fresh or intriguing about it. 3/5



Trippie Redd has been one of the more impressive new artist this year, his earlier 2017 tape “Love Letter to you” is one of my favorites this year. It is easy to assume that I’ve been very hyped for this project to bring me new Trippie bangers. Love Letter to you 2 doesn’t fail to deliver quality bangers, showcasing Trippie’s catchy melodies in songs like “Bustdown” and “Today”. This time around though there are a few tracks which have a more pop sound (Deadman’s Wonderland, Back of My Mind) which aren’t bad, they just aren’t my favorite tracks. While LLty1 had basically no skippable tracks for me, I find myself skipping more than 1 song on this project. 3.5/5

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